OTESSA’25 Keynote: Seeking design questions: Finding and framing

What does this keynote say about the type of learning experiences we need?

Hokanson’s keynote presentation draws on his research in design thinking and creativity studies to explore how we can and must reframe learning. He emphasizes the critical importance of “problem finding” and “problem framing” as foundational elements in the design of learning experiences. Rather than focusing on students solving pre-defined challenges, Hokanson argues that learners must engage in identifying and defining the problem itself—what Getzels termed “the problem of the problem.” Hokanson positions the discovery and reframing of problems as a creative and intellectual act that is not bound by recipes or rigid steps, but instead relies on the learner’s values, curiosity, and insight. This exploratory process transforms learning into a dynamic investigation, where questions are as important—if not more so—than answers.

Why is it important?

The significance of this orientation lies in its challenge to traditional instructional paradigms that prioritize predetermined answers and efficient delivery of known content. In contrast, the learning experience design approach advocated here fosters creativity, originality, and deeper cognitive engagement. Hokanson highlights how learners benefit from opportunities to frame their own questions, reimagine challenges, and engage with ambiguity. This reframing process is not merely academic; it affects how learners understand the world, build agency, and generate novel solutions. For instance, classroom exercises that encourage students to interpret a prompt like “eat something different” through varied meanings build fluency, flexibility, and originality—core components of creativity as measured by tools like the Torrance Tests. Such practices cultivate habits of thinking that extend far beyond academic settings.

What are the implications for education?

Hokanson’s research implies a fundamental shift in the architecture of educational experiences. Educators should move away from linear, answer-driven models and instead create learning environments where ambiguity is welcomed and inquiry is prioritized. Educational tasks should be framed not just to solve problems, but to provoke the discovery of new problems. This requires a pedagogy that supports iteration, experimentation, and reframing—where students learn through the process of developing questions, framing and reframing the problem to be solved from multiple perspectives, ideatingand exploring the feasibility of possible solutions. This type of learning fosters creativity, cognitive flexibility, conceptual thinking and dealing with ambiguity over content knowledge. Ultimately, the goal is to design learning experiences that mirror the complexity and uncertainty of the real world, equipping learners with the creative confidence to navigate it.

The bottom line

Education must fundamentally reimagine its purpose from preparing students to solve known problems to developing their capacity to discover and frame the problems that don’t yet exist but will define their futures. Hokanson’s research provides both the theoretical foundation and empirical evidence that this transformation is not only possible but essential for developing the creative and adaptive capabilities humans need in an uncertain world.

Key takeaways from the keynote

  1. Problem formulation is paramount because how problems are initially conceptualized significantly impact solution quality.
  2. Generating higher-order questions is pedagogically more valuable than teaching towards the right answer.
  3. Iterative design practices such as the co-evolution of problems and solutions are central to active learning methods.
  4. Framing and reframing perspectives are design practices that take learning to deeper levels and lead to new conceptual understanding.
  5. Engaging the unknown as part of learning is imperative for learners to become skillful at navigating ambiguity and uncertainty.
  6. The development learners’ creativity is directly linked to learners’ cognitive flexibility – the ability to reframe a subject and arrive at different kind of responses.
  7. Teaching reframing can measurably improve creative thinking capabilities, particularly in flexibility scores.

reDesignED applies these important takeaways to the fullest extent possible.

 

Brad Hokanson

Brad Hokanson is a professor of Design at the University of Minnesota. He has a diverse academic record, including degrees in art (Carleton), architecture (Minnesota), urban design (Harvard), and received his PhD in Instructional Technology from the University of Minnesota. He served as President (2016, 2020) of the Association for Educational Communications and Technology (AECT ), the leading professional organization for instructional design and educational technology, with a membership over 2000 and international affiliates in 14 countries.

Dr. Hokanson’s scholarship has led the instructional design community on topics of design thinking, design processes, the design of learning experiences, role-based design, and specifically on the importance of creativity in the training of instructional designers, for the development of curriculum, and for the academic achievement of learners. He has recently completed research on the relationship between creativity and achievement in school children, comparing measured creativity with standardized achievement scores. He is now running his fourth massive online course on creativity for the University of Minnesota with an enrollment of over 212,000. Two previous courses each enrolled over 52,000 learners.

He teaches in the area of Creative Problem Solving, Innovation Theory and Analysis, Graphic Design Research, Visual and Critical Thinking, and publishes research in the fields of creativity and educational technology. He won his college’s awards for outstanding teaching in 2002 and 2008, and served as the Mertie Buckman Professor of Design Education from 2016–2021. His most recent book on the development of creativity is Developing Creative Thinking in Learners. He is currently the Director of Graduate Studies.